© Photo by Nathaniel Sharp

PROCESS

The earth and the magical power of art makes each day an adventure. The land, sky, and sea are my teachers, and the processes that I choose to practice are the modes in which those lessons transform into something visual. Growing up in the woods by the water has offered profound opportunities and knowledge for seeing and learning. I was shown how to appreciate all living things and regard them with wonder, along with deep consideration and respect.

Investigating ways of employing natural materials and experimenting with several printmaking processes has greatly contributed to my own understanding of how scientific and artistic practices overlap. These explorations have provided me with new insights into our surroundings, and have changed my way of observing what is always in front of our eyes. The sensory experience of active awareness helps us to connect to the biotic and abiotic world. The process of collecting found objects and specimens discovered outside serves as a way of constant learning. Working as a steward for the environment and organisms that are unable to speak for themselves, I hope to inspire others to appreciate the importance of this magical earth.

 

I am fascinated by the sheer awe of the natural environment and the ways in which art can be utilized to learn and share the vast and ever-growing knowledge of our world. I appreciate the ordinary aspects of life that often remain unnoticed, such as the complex structure of an ecosystem, the intriguing textures of an object, or the vibrant natural colors existing all around us. Just as the earth and all of its systems are interconnected through various networks, so is the realm of art-making.

To learn more about my process and materials that I use, please visit the FAQ’s (Frequently Asked Questions) page here!



PLANTS & MATERIALS

There are many different types and species of plants that myself and other makers utilize in several natural processes. Some have been used for thousands of years, and some are yet to be experimented with. Many plants and natural materials can be used for more than one process, which opens up even more opportunity to discover new ways of creating with organic matter.

These lists are a growing collection of seasonal plants that I use in my work. Many species are often utilized throughout multiple seasons, such as tree leaves, while others are only available for shorter periods of time, such as Goldenrod.


SPRING ~ march-May

SUMMER ~ June-September

AUTUMN ~ September-November


© Photo by Nathaniel Sharp





MINDFUL, SLOW MAKING
~
HANDMADE WITH PASSION & LOVE


Eco printing, along with other processes that I practice, are not always quick…there are a surprising amount of steps that go into the final result of printed fabrics, each one just as important as the last. From preparing the fiber to accept and hold on to natural pigments, to spending time carefully foraging, to battling with the weather elements of wind, rain and sun while still enjoying the meditative qualities it possesses, patiently waiting for the steam to do its magic, to unwrapping each bundle with awe and wonder, allowing the fibers to dry in the sun filled breeze, then finally, deciding if you are willing to cut up these compositions into other creations, or simply let them be. Everything in between from start to finish is well worth the effort for the constant lessons, experience and joy it provides.


 

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